As a writer — dot zhihan jia

Selected writings

^{Interdependent unlearning(s) and caring for disruption, Year of the Women
Fever dream (2022), Size Variab;e

Wu Pei-chi’s Dear Yu Chu (2020), review
Review: The Glass Bead Game, MAMOTH, London}
^{Curating (un)common ground: Chinafrika as a Case Study, The 14th Annual Conference, CCVA, Birmingham City University (conference paper)

Ou Ning’s Bishan Project (2011-2016) as a Case Study of Antagonism in China’s Social Practice, Social Works? Open journal, Social Art Library, University of Bristol

In Search of Mother’s Tongue, Library Under the Sea, Care for Collective Curatorial

Jia, Zhihan, 2020. Shanzhai as Contact Zone: The Poetics of a Counterfeit Modernity. [Master Paper] MA History of Art, The Courtauld. (Distinction)

Jia, Zhihan, 2020. In Search of Mother’s Tongue. [Master Thesis] MFA Curating, Goldsmiths, University of London. (Distinction)

Jia, Zhihan, 2020. Against the Attempt at Exhausting a Language. [Catalogue Essay] MFA Curating, Goldsmiths, University of London. (High Distinction)}^{In conversation with Rachel Jones, 这位新兴艺术家如何以抽象探讨身体？New York Times: Life & Art China
《玻璃球游戏》展评，MAMOTH
一场认真而未有名目的言说
“裂缝“，Railing Codex Vol.1，栏杆外}

^Translating

^{Man in Black: Wang Bing in conversation with
Simon Field, ICA, 2023 (live)}
^{Man in Black: Wang Bing in conversation with Ben Luke, Goodman Gallery, 2023 (live)}
^{Ghost World by Travis Jeppesen for Huayu Youth Art Award /《幽灵世界》，特拉维斯·杰普逊，华宇青年奖，2021
《李康承：别样关联》，发布于《黑齿》
《爱的劳动：女性劳动力作为文化产业中不被看见的暗物质》，发布于《黑齿》
《沃霍尔》，Phaidon Press，因审核原因未出版 not published due to censorship}

^{In other wor(l)ds}

^{2022
Peer-reviewer, Intersectional Perspectives: Identity, Culture, and Society, Cardiff University Press

2021 - Ongoing
Editor-in-Chief, Chán Magazine}