2024
Jane Jin Kaisen: Halmang, esea contemporary, Manchester
2021
The Dwelling Place of the Other in Me, Power Station of Art, Shanghai
I want a garden, an orchard, and a forest, COOC, Beijing
Don’t mess around when no one is home, Thorn Apple Project, Berlin
2020
Plusgood, Enclave Lab, London
As If, Transparent Things, Goldsmiths Centre for Contemporary Art, London
2019
We are all in the business of fighting for air, Chisenhale Studios, London
and the hippos were boiled in their tanks, Chisenhale Art Place, London
Here we are all moving images, Deptford Moving Image Festival
Go Down to South, Enclave Lab, London
There is a Time for Reciting Poems and a Time for Fists, Enclave Lab, London
Delusion, Distortion & Deception, Enclave Lab, London
Public Programme
2024
Karrabing Film Collective: Footnotes on a Timeline, Feminist Duration Reading Group, Goldsmiths CCA
2023
Vulnerable Communities by Koki Tanaka, esea contemporary, Manchester
Exercises in Exchange: Small Bodies of Water, Spike Island, Bristol
Care and Collectivity: Card Game and Reading Group, Feminist Duration Reading Group, Eastside Projects
2022
Feminist Duration Reading Group x Chisenhale Gallery & The Mosaic Rooms: Citizen: An American Lyric (2014) by Claudia Rankine and Care and the commons (2021) by Miriam Ticktin
Online panel: Han Mengyun x Dorota Gawęda & Eglė Kulbokaitė, Swiss Arts Council
"""weaving""" with Amiko Li and Dong Longyue, Shanghai Power Station of Art
A Practice of Weaving Language, Shanghai Power Station of Art
2021
Feminist Duration Reading Group x Chisenhale Gallery: Salt Fish Girl
On Trinh T. Minh-ha, Feminist Duration Reading Group (online)
2020
‘The Global and Its Discontents’ Workshop Series, Goldsmiths University
The Mosaic Rooms with curator Angelina Radaković
‘Globalising art institutions in the UK’, in conversation with curator Ying Tan
2019
‘Curating as Research’ Workshop Series, Goldsmiths University
‘Historicity and Indian Modern’, in conversation with curator Veerangana Solanki
‘A hard white body: Candice Lin’, in conversation with curator Lotte Arndt